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Argentina 60-year history, photography

PART FIVE

To complete this series of five posts, which were suggested a short tour in order to raise awareness Argentina 60 years of history, here is the conclusion or why not also an introduction.

I should clarify that the photos came to me by mail, so the selection of the same was not done by me, but the choice of putting them in the blog, if it was something I chose because they thought you were giving accounts of key moments within the country's history.

Some represent milestones and memorable sights such as the one that shows the dead body of Che with his eyes open eyes, or the mothers of Plaza de Mayo with his white handkerchief on his head, icon today's struggle for crimes against humanity and crimes against human rights.

The photos were published in time for perhaps one of the most widely read daily in this country called "Clarín" though it is my intention to advertise it is my duty to make clear where they came from.

Another of the reasons that led me to publish these photos in this space is the love I feel for our history, both American history as the history of my country, this country, "Argentina" that every day we are building.

Our history is fascinating, and I escaped to that passion, it's like Gabriel Garcia Marquez said in his speech accepting the Nobel prize in 1982: "We had to ask very little to the imagination" and our history has and continues to giving for all, we live in is that world where everything can be possible in the world of "100 Years of Solitude", where the irrational, the less thought is reality itself.

selection downside is that a picture is worth to account for everything that happens in a year, I think we missed much I have in my head and are in themselves preferred or more "speak for themselves" but good every selection requires cutting, forming a corpus and to reach a goal.

for me most of the comments are like a "foot" of each photo are listed by me, it differed from the others according to taste and feel that every shot was able to provoke. In some cases the image I was totally unknown and I could not talk about it, in others, quite the contrary I felt the familiarity of the known, the everyday and the more weight is to see reflected in some of those thoughts and ideologies which a daily struggle and was in them which cost me more silencing. I hope

much as they liked me.

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